Finally I have gotten a real Rotator software plug again, this time directly from the Framtiden osaker for forsberg himself, Robby Kilgore. The rotator is a software in this case that for every note I play on my MIDI sax or whatever ads additional notes, from a pattern of intervals.
Basically making my EWI into a mean chord monster! I have long listened to the few demos of this that was previously available online and last spring me and my friend the software developer Bernhard Wagner managed to build a software that did this. However the program was specific to some particular software and hardware and when my old computer burned up I had no way of recreating it on my own.
So I was really excited now when I got an email from Robby Kilgore and he had himself built a program that works in Logic. As a hardcore Cubase user since 15years I got straight away and bought Main Stage and started fiddling around. What you Framtiden osaker for forsberg below is some examples from my first live try of the rotator, or first musical try least. Some interesting ideas, sounds and places I think. I have so far experimented with tecniques and ideas to make
Framtiden osaker for forsberg and have a few recorder demos up so far.
These are mainly thought to be a compliment to my regular teaching, where the students can sit at home and watch my fingers if they need to. It has been my dream for a long time to build a Rotator as Robby Kilgore calls it. You can see it in action in some videos below. I first got to know about this through my friend Bernhard Wagner and he also just built it so I could fool around with it! To tell you shortly what it is, it is a software that adds a second note to whatever I am playing on the EWI or any other MIDI device with set intervals.
It also rotates through this settings so I will have different intervals every time I change or replay a note!
I even started playing accordion some years ago to get harmonies. To read more see Robby Kilgores own website like: Mine was a demo instrument before I got it and doing this resolved a bunch of malfunctioning.
There is a manual and although it is boring and time consuming it is a very good idea going through ALL of it and make sure your fingering ect.
As a sax player I chose sax fingerings, but oboe, flute, and others are available too! But I frequently go through the manual again to fine tune the instrument to work as good as possible for me. I find that using both of the sounds Framtiden osaker for forsberg is the way to go for me.
But as my dad remarked it is important to find your synth sound and when listening to great synth players like Zawinul, Zawinul or maybe Zawinul you realize that he has a very distinctive synth sound that he uses all the time. Although there is variations, it Framtiden osaker for forsberg the same expression from the musicians standpoint.
So I spent some time finding a sound I am happy with. Also, as a saxophone player that suddenly is using AMPS at gigs to be heard at all, it is wise to start practicing and rehearsing with amps and find Framtiden osaker for forsberg that there is a jungle of amps and sounds out there. It is a strange notion not necessarily having your sound close to you as with a saxophone. Angle the amp towards your ears or put it on a chair so that you get most of the sound.
It is basically just like practicing any instrument, and in particular the saxophone. The hardest part have been the thumb, it is still hard, my broken wrist makes it harder to move my thumb, but as all EWI players know going between octaves can be a real hassle.
This seems to work fine although there is still lots of work to do. And at first sight it is a pretty cool little horn! You can see right away that it has got the features of a saxophone, and anyone that is familiar with music will spot it as a saxophone. The fingerings is, for me anyways, pretty straight forward. BUT I have to say, I am a bit disappointed about them.
The F I think could be fixed pretty easily with a rod or something similar pressing down two "Framtiden osaker for forsberg" but leaving the hole open. The horn sounds good! You can hear that it is a saxophone, sounding like a soprano is has a pretty sweet sound.
Intonation is another matter, some of the notes are really unclear what notes they really are supposed to be, but then, it works like a soprano so the amount of adjusting with pressure or embouchure is not that big.
But as a small kid or beginner, it might sound off. I threw away the standard mouthpiece first thing and replaced it with my standard soprano mouthpiece Vandoren V16 with Vandoren ZZ reeds. I am happy to announce that this fiscal year I am starting to teach at Uppsala Musikklasser, leading one of their orchestras. I am very excited about this opportunity and more so since me myself spent my high school years in this school. With 25 young musicians divided into 2 orchestras with 3 weeks each, we
Framtiden osaker for forsberg 40 gigs in total.
With some interest in media as well as a "Framtiden osaker for forsberg" number of applicants I think it is not too brave to say that it has been a success! Each and every member of the two bands have performed flawlessly and way beyond my expectations and their previous level. I am so happy to have been leading these young musicians. I actually brought the saxophone with me on stage in case I would feel too lost, but the band performed beautifully and it was fun to play!
After Framtiden osaker for forsberg there was the Finnish flute goddess Annika Gummerus-Putkinen performing with the same rhythm section, which was very nice! This one was trying to implement the verses from Bible texts and since there was an opportunity for this project to actually get a gig I recorded this little video with help from my friends at Crag Explorers. I even started playing accordion some years ago to get harmonies To read more see Robby Kilgores own website like: Sommarjobbsorkester i Uppsala Kommuns och Uppsala Kulturskolas ledning under mig.
This is probably the most important step! Practicing the ewi It is basically just like practicing any instrument, and in particular the saxophone. So finally I have contemplated enough to be able to share this summers events.
Framtiden osaker for forsberg 1 Page 2 … Page 5 Next page. Hanne Fjelde is an Associate Professor at the Department of Peace and Conflict Research at Uppsala University.
Fjelde's research focuses on the relationship. Flykten till framtiden () cast and crew credits, including actors, actresses, directors, writers and more.
Sanna Ekström Forsberg costume assistant. Together, the authors – Maja Elmgren, Eva Forsberg, Åsa Lindberg-Sand and Anders Sonesson – have held positions as heads of department, Maja Elmgren1, Eva Forsberg1, Åsa Lindberg-Sand2 & Anders Sonesson2 I Framtiden börjar nu: utbildning och.
Orsaker till att doktorander lamnar forskarutbildningen̈.